words i am pondering today



Do your little bit of good where you are; it is those little bits of good put together that overwhelm the world.--Desmond Tutu


Tuesday, April 28, 2009

old idea, new realization

I got up early in the morning
And rushed right into the day.
I had so much to accomplish
That I didn't take time to pray.
Problems just tumbled around me
And heavier came each task.
I whined, "Why doesn't God help me?"
He said, "You didn't ask."
I groaned and shouted and grumbled,
I tried every key in the lock.
I cried, "why doesn't He open?"
He said, "Son, you didn't knock."
So, I got up early this morning
And paused before entering the day.
I had so much to accomplish
I had to take time to pray.

- Author unknown

Monday, April 27, 2009

old wives' tale found to be true

the dishes DON'T do themselves.

Thursday, April 23, 2009

to top off the day. . .

generous mug
full of milk
generous dollup of Bailey's Bristol Creme
heat in microwave until hot
toss on generous handful of mini marshmallows
heat again until melty

impossible to frown with this
hands wrapped around
top lip sticky with
soothing
spreading warmth

part poetry, part yum!

(from my postings today you would think life has been all about cute kids and yummy food recently, but no, it has actually been a really hard week of mommying. which might explain why i am hitting the bottle on a Thursday night. but hitting it marshmallow softly!)

silly baby

I got a video of E in a great mood!


the one and only G

This morning G came in from taking out some recycling, and so sincerely and cheerfully relayed to me what she had been saying while completing the task:

Fare Thee well, everyone.
Fare Thee well, everything.
Except for Satan
and his comrades
and his doings.

And then, just now, as we were talking before bedtime prayers, G tried to explain how she has been feeling the past few days (its been a rough week) and why she has been "bursting into tears"--she said she felt "all misshapen."

Eeriely reminiscent of C.S. Lewis's description of planet Earth and her inhabitants as "bent" (corrupted by sin) in his novel Out of the Silent Planet (first in his excellent science-fiction/fantasy "space" trilogy).

The truly weird thing is that we have not even been reading the Bible recently, so I have no clue from where she is getting all this interesting imagery. The way she puts things, though, is uniquely her.

Mmmmmmm. Uhhhhh. MMMMMMMMM. etc.

No, this is not an adult only posting.

I am eating a pasta dish I whipped up from what was in the house. Ohhhhhhhhh, it is good:

*1 lb pasta (i used gemelli--lovely shape for this) cooked, rinsed and drained, cooled slightly. Put into large bowl and dressed with a little extra virgin olive oil, salt and pepper, to which I added
*bunch of small, ripe tomatoes (the first this season--thanks Sara!), sliced lengthwise into wedges
*one chopped green garlic (from our CSA box, but regular garlic would suffice, minced)
*one chopped green onion
*handful of Kalamata olives, halved
*lots of Parmesan shavings

Mix it all up, and engorge. I mean enjoy.

Leftovers great cold! (like there will be any)

Monday, April 20, 2009

music and light for those passing by

I saw a friend had posted this on facebook, and, as I said in comments there, I cried from the sheer exuberance of it all. The dancers are having so much fun, and the look on some of the spectators' faces is so charming, as they delight in the unfolding surprise.

Again, sorry about the ugly link--one of these days I'll figure out how to fix things and make video posts like a real blog.

http://www.youtube.com/watch?v=7EYAUazLI9k

I wonder how the spectators felt when it was all over--did they have an extra spring in their steps as they left the station? Did they feel like they had been a part of something special?

That also brings to mind a story that the speaker this past Sunday at Vintage Faith told during the worship gathering. Maybe you have heard it before: the Washington Post set up a test of sorts down in the D.C. Metro on a busy weekday morning. They had a world famous violinist named Joshua Bell (considered one of the world's greatest) playing his Stradivarius (one of the world's greatest instruments) and they expected to create a bit of a furor (supposedly the acoustics were fantastic down there). But. . . when you watch the video sped up, which makes the movement of people easily apparent, you notice that for most of the concert, no one stops to listen. No one. This is a man who people pay over a hundred dollars to hear play in the finest concert halls, and now anyone passing by can stop and listen for free, but they can't be bothered. They are too focused on their immediate need--probably to make their train on time, understandably--and don't even seem to turn their heads to look, let alone listen to the amazing music.

http://www.youtube.com/watch?v=myq8upzJDJc

The speaker on Sunday was making an analogy between this event and how blind we are to the amazing beauty, truth, sustenance, etc. to be found in the written Word of God--it is right there in front of us all the time, but we never stop to look or listen.

With that in mind, I noticed two interesting things about the video. First, when finally one person stops to listen, she stands transfixed, almost blocking the flow of traffic, only caring for looking and listening at that moment. Later we find out she had seen Joshua Bell play before. So the one person who engaged with that miraculous moment had experienced something like it before, and knew it at once for what it was, and gave herself completely to it.

Second, for most of the video there are people passing, passing, passing. After the one woman stops, in such an obvious place, suddenly other people stop and listen too. Her attention is a signal to them that something special is happening, and they want to be part of it too.

I am sure there are lessons there about keeping our hearts sensitive to hearing God, and being a light to others--I'll let you come up with your own. : )

Friday, April 17, 2009

oh, who are the people in your neighborhood?

So the other day the girls and I headed over to play at Valencia elementary school. It was before all this heat set in, so we were seeking a sunny playground close-by. There were a few other parents there, including one young mom who initiated conversation about the kids and we chatted casually until she let it slip that she taught film. "No way! I used to teach film too!" "No way!" She teaches film production down at CSUMB--I taught film studies, the theory side. She has an MFA (Masters of Fine Arts)--I have an MH (Masters of Humanities). Of course we had to exchange info, and after we made the initial email contact later, her email address piqued my curiosity and I found her web site:

http://www.enidbaxterblader.com/

If you visit, have the sound turned on.

How often do you meet a mom at the playground who has exhibited her work at the Smithsonian?

lipstick on a pig, and other metaphors of home

Tax day--also the day the appraiser came by to depress us with how little our home is worth. I have been sick all week, and yet cleaned all day for three days, trying to make our little shack look like a half-million bucks ("like rearranging deck chairs on the Titanic," as a dear, insightful friend put it). Before the appraiser got here, I was looking around feeling pleased with our house (Hey, the bed looks really nice); after he left I broke down and cried, seeing everything through his eyes (Hey, there's a bed in the living room). Ok, I was also really tired and it was the let-down from so many days of high-energy activity. But still.

I much prefer walking around just noticing the good things, and appreciating the aspects of our home that please the eye or nourish the soul: the velvety brown redwood walls, the warm white rafters, the sexy smooth soapstone, the trees trees trees out every window.

But the appraiser's visit was a reminder of why we don't invite people over. It is really hard for most people to look past the size and condition of our house and get comfortable. D's parents definitely fall into this last category; the title of this post refers to D's mom's opinion of the period-appropriate Restoration Hardware light we installed over the kitchen table. So please do not be offended if I have not invited you over--it is out of consideration for you, who might be used to things afforded to you by the average American home, like sofas and bedrooms and elbow room and a door on the bathroom.

And to those few of you who not only don't mind but actually see some of the positive things about our house--thank you.

Anyway, just as I have been struggling with what to think and feel about my home the past few days, God once again proved He is here, and active, and cares--giving me this, out of the blue:

Until a few years ago, I'd always lived in a new house. But I'd always wanted to live in an old house. I thought of myself as an old-house person, a person who appreciates character over perfection, who likes the bumps and bruises of an old home. So when we moved to Grand Rapids, we bought an old house, an English Tudor built in 1920 with a Hobbit-house sloping roof. I fell in love with it. It has arched doorways and hardwood floors and funny little corners and built-in cabinets. We moved in and started fixing it up, painting and putting in new outlets and new fixtures.

And then I went over to a friend's house--a new house. I was overcome with jealousy over her new house, not because it was fancy or big, but because the toilets didn't run, and none of the windows were painted shut, and none of the doorknobs get stuck. . . .

I was so jealous of my friend's new house that when I got back to my house, all I could see were the imperfections, the fixer-upper things that were not yet fixed up. The floors are uneven and the tiles are cracked and the drawers squeak and the radiators clank. We have both bats and mice. The basement smells funny, and I just found some big pieces of the basement ceiling on the floor. I'm not a contractor, but I don't think that's a good sign.

I think of myself as an old-house girl, but I guess there's still a lot of new house in me. I want to love the imperfections, but in a weak moment, I want central air and granite countertops so bad I can't take it. Some of it, unfortunately, is about what other people think. I'm fairly certain that our house is the bad house in the neighborhood, and that our neighbors are whispering to each other disapprovingly every time they drive by. . . .

The person having a problem with the house, clearly, is me. And it's not about the house. It's about me. I can't handle any more things that are not quite right in my life, because I feel like that's all I've got. I feel like every single part of my life has bumps and bruises and broken pieces.

I want to be all shiny and new, all put together, and I just can't get there. The things I try to forget don't go away, and I'm a lot like my old house, cracked and mismatched and patched over.

On my worst days, I start to believe that what God wants is perfection. That God is a new-house God. That everything has to work just right, with no cracks in the plaster and no loose tiles. That I need to be completely fixed up. I always think that God's kind of people are squeaky-clean people whose garages don't leak, but really a lot of the people God uses to do amazing things are people who don't necessarily have it all together. A lot of the best stories in the Bible, the ones where God does sacred, magical things through people, have a cast of characters with kind of shady pasts, some serious fixer-uppers.

On my very best days, as an act of solidarity with my house, since we're both kind of odd, mismatched, screwed-up things, I practice letting it be an old not-fixed-up house, while I practive being a not-fixed-up person. I wear my ugly pants, the saggy yellow terry-cloth ones with the permanently dirty hems, and I walk around my house, looking at all the things that I should fix someday, but I don't fix them just yet, and I imagine God noticing all the things about me that should get fixed up one day, and loving me anyway and being okay with the mess for the time being.

I practice believing that, bottom line, God loves me as-is, even if I never do get my act together. I put my hand on the plaster wall, nubbly and textured, and I think thankful thoughts about the walls. Then I put my hand on the floor, and I think thankful thoughts about the floor, even though it's scratched and ridged and you can see where one of my black heels lost its little cap and the metal part left tiny round divots in the floor, over and over, like confetti stamped into the wood. I imagine that God does that to me, puts his hand on my head, on my heart, on my savage insecurities, and as he does it, he thinks thankful thoughts about me.

In my best moments, when I calm down and listen closely, God says, "I didn't ask you to become new and improved today. That wasn't the goal. You were broken down and strange yesterday, and you still are today, and the only one freaked out about it is you."

I sometimes hate this house for not being what I want it to be, and I sometimes hate myself for not being that either. But little by little, my funny old broken down house is teaching me that good enough is good enough. Maybe in six months we'll take the home-improvement next step, whatever that might be, and maybe we won't, but my house will keep me warm and dry until then, and I'll try to be kind and gentle to my house and to myself in the meantime.

Chapter/Essay entitled "Old House," from the book "Cold Tangerines," by Shauna Niequist


I'm still pretty sure my house is worse than her house, though.

But I remember the feeling when we first walked into this house--the absolute very last MLS listing we put off seeing for so long because it looked so terrible in the little photo from the curb, the photo that earned it the nickname "the shack." As in, "Ok, fine, since we have looked at every single house in two counties that we could afford and that meets our basic needs with no success, let's go take a look at the shack." But when the realtor opened the door and I stepped in, my eyes immediately went to the (smoke stained dingy yellowish white) vaulted ceiling rafters and my first thought was "Oooooooh, this has potential!" It was rank with cat pee and cigarette smoke. The bedroom ceiling and behind the curtains looked like the mother-spider lair from "Arachnaphobia." It had a half-bedroom, and no interior doors.

And we liked it. And after we bought it, and unearthed and refinished the redwood floors, and re-painted the ceiling, and started its renewal and moved in. . . we still liked it. We had peace in it, and about it. We elected to have two more children while in it. And, honestly, that is just plain nuts. We should not be content, we should not be comfortable. A family of six in 550 square feet?! And yet, the more crazy it is, the more reasons there are why we should not be happy with the house, just make me all the more convinced that our peace and happiness is coming from beyond our human expectations and understandings. They are gifts from God, as is this tiny, pitiful house.

So, like the writer, I love my house and forgive it for its condition and limitation.

But I am not going to be as patient with the fix-it-up schedule!

Monday, April 13, 2009

Easter

This weekend has been all about music and worship and friends and sunshine and art and yummy food I did not cook.

We had already done the whole easter basket thing at D's parents last weekend, and had egg hunts then and on Sat at a friend's brunch, so we did not do anything with bunnies or eggs at all yesterday and that was refreshing--allowed the day to be more relaxed and the focus to be on Christ. I wore an adorable new top that was a gift from my mother-in-law--she likes to take me shopping when we visit, which can be a good or bad thing, but which the weekend before last was a good thing--which, come to find out, perfectly matched a skirt I already had. I wore my new brown heels. ; ) The girls all wore cute dresses my mom had made and smocked for them, and strangers made nice comments about our family wherever we went, which means a lot to me (offsets the sometimes negative reactions I get from some people about the size of our family). G and I sang in the choir, which by the 11 service sounded great. I stopped into the Abbey on our way home just in time to say hello to a young woman I had met at the art exhibit on Fri, who was coming to visit for the first time. We picked up yummy food from Dharma's vegetarian restaurant in Capitola and ate at Hidden Beach park. E got his first tactile experience with sand and bare feet, and appeared to like it. It was a day of family and simple pleasures.

I hope all of you had a peaceful, family and love-oriented Easter.

Here is a link to one of the songs we sang yesterday, for anyone wishing to keep that beautiful Easter feeling going a little longer:

http://www.youtube.com/watch?v=X5Akz6J8Rw0

Friday, April 10, 2009

God, moving


Today I went to downtown Santa Cruz to be a docent for the annual Good Friday/Easter outdoor art exhibit on the Stations of the Cross, put on by Vintage Faith Church. I took E, my 7 month old, because I had to, and took G, my 8 year old, to be my helper. The docents walk around the art installations and look after the art (and one station is always focused on hospitality, so they offer free coffee, tea, cocoa, and water to passer-byers) and are available to answer questions or engage in conversation with the people who might stop and look.

The location for the art exhibit is always the same, smack dab in the middle of the action downtown, in front of the famous O'Neills's surf shop (for you out of towners, he is the man who invented the wetsuit). The art is usually good, and challenges people to consider the meaning of Jesus Christ in a personal, active way--so a lot of it is interactive or tactile, or somehow tries to get people to engage with the idea of Easter and Christ's death in a tangible way. One exhibit today had lots of little glass jars filled with bubble solution and encouraged people to blow bubbles, which I thought was a great way to get us thinking about breath (as in Jesus takes his last) and life and joy. My favorite piece a couple years ago was giant felted cupped hands, white and soft and so lifelike in shape and the artist encouraged people to touch them and there were all these great conflicting mental images of the soft felt and imagining hard nails piercing them, and of God holding us tenderly in His hands, so warm and protected, and of us stroking, almost in apology and guilt and relief, Jesus's healed hands when he arose from the death he suffered on our behalf.

(one big run-on sentence--perfectly mirrors my jumbled emotional/intellectual response!)

Anyway, I have been a docent once before, and today I was reminded of how these events so far have been a beautiful reminder of how present and active God is in the world, in my life, in the lives of the non-Christian strangers who happen to pass through our lives for a few moments--and how God will use us for His purposes if we are willing.

The last time I was a docent, I remember getting there and looking at all the cool, artsy people from Vintage Faith who looked so right, so comfortable in that setting. I felt very uncool (you know I am in no way hip) and out of place and wondered what the heck I was doing there. I was serving at the hospitality station and so started just speaking out to the people walking by, offering them hot beverages, as it was a cold, overcast day. Some people stopped, more just smiled and walked on, even more looked at me as if I was a freak or looked right through me as if I was not even there. One Middle-Eastern looking man and woman walking by responded to my offer hesitantly, as if they were just being polite. The wife went over to get some coffee, and I struck up further conversation with the husband by asking if he was Iranian, since he reminded me of someone I once worked for. He very surprisedly and suspiciously said he was. I enthusiastically volunteered what little Farsi (the native tongue of the Persians) I remembered from my interactions with Iranians at that job, and he was then surprised and pleased. I had baby B with me that year, in the stroller as E was today, and the Iranian couple fussed over her a bit, and we had a nice conversation until the wife was done with her drink and they left my station, stopping to consider the art along the way.

They lived in San Jose, and had just come down to Santa Cruz for the day. Here I was, feeling all out of place, wondering what I had to offer. But how many of those hip artist types could have spoken to these Muslim Iranians in their native tongue? I felt like God directly answered the insecure questions that had been nagging me inside, and showed me He could use anyone He wanted, however He wanted.

They just had to show up.

So there I am today, with the same thoughts running through my head. Not as many artsy cool people being docents this year, more people who look like me or who I know well. (Not that you are not artsy, Rosa, (hmmmm, maybe more "etsy") and you are way cool, but you are not intimidating in the least, esp. with that big friendly baby belly!) But still thinking, what am I doing here? Why did I volunteer? And then about halfway through my two-hour shift, my blood sugar started to crash and I went over to a nearby bagel shop for food. I was estatic to see they carried pumpernickel bagels, which I have not seen since my days at Lox, Stock & Bagel in my hometown in h.s. Topped that with a garlic herb cream cheese and tomato--yum! And then, for some strange reason, as I ordered, I paused and told them to give me two bagel sandwiches and not just one. I did not know why, I just thought, well, someone will eat it. I also got a Coke and apple juice for G and a muffin to share with her.

Back at the exhibit, I started wolfing down one half of one bagel sandwich, but noticed someone standing for a while in front of the particular art installation to which I had been assigned. So I went over and we talked for a few minutes. When I said goodbye and headed back to my bags of food, which was sitting on the edge of a concrete planter, I saw a young woman going through them. Now, you out of towners should know that there are lots of young homeless people hanging around downtown, usually begging. I quickly headed over and nicely said, "Oh, that's my lunch." She sincerely apologized, saying she had asked the people standing by if the food was theirs and no one had claimed it. I said that was no problem, but was she hungry? She nicely said, "Yes, I am." And I, reaching into the bag, could say honestly and happily, "Well, this one is for you!" and give her the second bagel sandwich. I told her I did not know why I even got it, except that I knew it was someone's. And that someone was her.

I even asked her, worried for a moment, if she liked pumpernickel, since not everyone does. She said she did. Later I thought that was silly of me--as if she would have turned down any food if she was genuinely hungry. And yet, maybe it was not such a silly instinct--maybe it conveyed to her that I cared and was not just giving it to her out of embarassment or guilt.

Shortly after the young woman had walked away, another young woman came up to me. I did not know her, but she might have been someone from Vintage Faith--nose rings and tatoos being prevelent in our church body--or she might have just been someone checking out the art. She said she had seen the entire thing, and basically just wanted to tell me how much she was glad at how it ended up. I told her what I told the other young woman, that I don't know what made me get the sandwich, but it was meant for her, and I was just happy to have had it for her.

So once again, God put me in just the place where he wanted me, for one encounter with one person who needed to feel the touch of a loving God. And maybe the encounter touched not just the homeless woman, but also the woman who had watched, and who knows whom else?

Just because I showed up, and waited for God to move, and then followed along.

But of course later, in the car on the way home, as I finally opened that Coke, I realized I did not even really want it, and don't know why I got it--so it must have been for her too! Darn it!

I'm sorry, homeless girl, for drinking your Coke. May you feel the love of God, who sent his Son to die for you that Good Friday so long ago, and who cares that you were hungry today.

Thursday, April 9, 2009

more music to make you shudder--also in time for Easter!

This past weekend we visited D's parents and of course went to their church with the family on Sunday. D's mom is really not comfortable with the whole nursing in public thing, so when it was time for E's meal I went into the nursery and settled for a few minutes in a rocking chair. The people watching the kids were nice and the room was clean and attractive. I was enjoying the peaceful moment, letting my mind wander. . . until I realized what was being sung on the cheesy sweet kids sing along CD:

J-E-S-U-S
J-E-S-U-S
J-E-S-U-S
and Jesus is his name-o!

I could not quite make out how they started the refrain, but I surely hope it was not the most insanely logical:

There was a God who had a son
And Jesus was his name-o. . .

It reminds me of a quote by P.J. O'Rourke, who said in an article about a Christian-themed amusement part: "Forgive them, Father, for they are wounded in the taste buds."

Toasty Egg Melts (just in time for Easter)

Here is a little "recipe" I came up with about a week ago as a yummy use for leftover hard-boiled eggs (of which you may have lots next week):

sliced whole wheat bread laid out on lightly oiled baking sheet
thinly spead with dijon mustard
upon which you place thin slices of hard-boiled egg
upon which you place thin slices of cheddar cheese
(upon which you can place thin slices of red onion, if you choose)
and which you toast in the oven at 400 degrees until all toasty and melted.

These were a hit among the five girls gathered at my house that day for lunch, ages 3-8.

Mmmmmmmmmmm!

Tuesday, April 7, 2009

From the Poetry Archives: The Mother

The Mother

by Gwendolyn Brooks

Abortions will not let you forget.
You remember the children you got that you did not get,
The damp small pulps with a little or with no hair,
The singers and workers that never handled the air.
You will never neglect or beat
Them, or silence or buy with a sweet.
You will never wind up the sucking-thumb
Or scuttle off ghosts that come.
You will never leave them, controlling your luscious sigh,
Return for a snack of them, with gobbling mother-eye.
I have heard in the voices of the wind the voices of my dim killed
children.
I have contracted. I have eased
My dim dears at the breasts they could never suck.
I have said, Sweets, if I sinned, if I seized
Your luck
And your lives from your unfinished reach,
If I stole your births and your names,
Your straight baby tears and your games,
Your stilted or lovely loves, your tumults, your marriages, aches,
and your deaths,
If I poisoned the beginnings of your breaths,
Believe that even in my deliberateness I was not deliberate.
Though why should I whine,
Whine that the crime was other than mine?--
Since anyhow you are dead.
Or rather, or instead,
You were never made.
But that too, I am afraid,
Is faulty: oh, what shall I say, how is the truth to be said?
You were born, you had body, you died.
It is just that you never giggled or planned or cried.
Believe me, I loved you all.
Believe me, I knew you, though faintly, and I loved, I loved you
All.

Monday, April 6, 2009

beauty, embodied

I never "got" ballet before seeing this video:

http://www.youtube.com/watch?v=TNWVYT-yltY

pure beauty--Edenic.

One commentor said she could not play the video in front of her childen; I dunno, I rather think there are times and places for nudity, and this is one of them. In fact, is it wrong to wonder if God Himself enjoyed this moment of beauty, the melding of music, movement and physical perfection?

I do feel kinda bad for the male dancer, though--when they are dancing together, who is looking at him? She is just too splendid, too sumptuous. But yet she would not be. . . complete, without him as her physical foil and counterpart. Together they embody the spirit of "one flesh" in a way that is elevated beyond nakedness, beyond sexuality.

on blogging, road trips, 80's pop

I am noticing that my blogging posts tend to go in cycles--there are times when I clearly have a brain full of ideas and words to express them, and other times when I am too thick-headed to think clearly, let alone abstractly. And those last times are when I tend to post music--something that might be going through my head that I enjoy and think is share worthy and does not require any of my own mental input! Of course this means I will be sharing some music with you all today--we got back last night from a weekend visit to D's family about 5 hours north of us, and we had late nights and early risings three days in a row, so we are all completely pooped and I won't even pretend to have anything interesting to say. ; )

But it was too bad I did not have a laptop with me in the car on the long drive up. My brain was swimming with ideas that wanted to be developed*, and I was really fighting sleep. In fact, I did fall asleep numerous times--you know, those terrible head-bobbing, teeth knocking jerks of semi-awakefullness and painful/blissful slips back into momentary oblivion. Ugh--I hate that. I would rather be tired than be in that battle between awake and asleep. But I do not allow myself to sleep when D is driving at night, even if it is not all that late if I know he is tired. When we were sophomores (freshmen?) in h.s. a couple of senior girls were driving back from a Spring Break trip and one was driving and one was sleeping--and the driver fell asleep and they had an accident and her best friend (the one sleeping in the back seat) was killed. That incident taught me never to trust one driver to stay awake by him/herself late at night. So no matter how late or how tired, I always stay awake and engage D in conversation to help him stay awake and focused. The best way to keep him awake is not to talk to him, but to listen to him talk, and so Fri night I chose one of his favorites to bring up: the world economy. A while later, as I roused, D commented that it took me less than 5 minutes to fall asleep. Frankly, I am surprised I made it remotely close to 5 min! But what could I do? His other favorite topics are computers, beer, cars/motorcycles, and mortgage rates.

My favorite car-trip topics include talking through house project options and dilemmas, esp. mentally solving design problems. Or dissecting family relationships. Or reminiscing about the olden days. Or babbling on about nothing much important. I am sure he has the urge to snooze too.

Anyway, last night as we drove back, I was the driver this time and so I chose the topic--or, I should say, the game: singing obscure or long-forgotten early 80's pop favorites. We came up with some good ones, including Pop Goes the World (Men Without Hats), I Can't Wait (Nu Shooz), One Night in Bangkok (Murray Head), These Dreams (Heart), Don't Come Around Here No More (Tom Petty), Major Tom (Peter Schilling), The Man With the Child In His Eyes (Kate Bush), Cry Wolf (a-ha), The Chauffer (Duran Duran, Jackie (Sinead O'Connor), Cool it Now (New Edition). . .

We also covered some of my all time favorite belt-em in the car when no one is with you songs: Enjoy the Silence (Depeche Mode--it's in a perfect range for my lower register!), Zombie (the Cranberries), and that song I can't remember the name of or who sings it but which has a strong, husky female singing "and then I scream at the top of my lungs, what's going on"--anyone? They are not nearly as fun when there are others in the car with you (except maybe Mina and Susan).

(And Mina, if you are catching my blog these days, what was that song we used to belt out together in the car, the guy singing a love song in a bar and at the end he pauses and embellishes a few riffs before finishing the last words, which might be "no more"? It was on the radio around the same time as Robert Plant singing "Sea of Love")

It was fun--I even got D to sing some of the orchestration with me on "Mexican Radio" (wall of voodoo) and "Don't Pay the Ferryman" (Chris DeBurgh). And, most importantly, we stayed awake.

So, on that note, I will leave you with an amazing video of one of the best songs to come out of the 80's, Sinead O'Connor singing "Troy." The quality of this video is not ideal, but I have not seen any other postings of this particular live event, and it is simply mesmerizing. Watch her face, the intensity of her body language--how could you make a song you had undoubtedly sung a multitude of times sound so raw, so new? How could you sing so intimately, laid bare, before thousands of fans?

Wow. I hope you enjoy it.

(Sorry I have lost the ability to make official-looking-like-a-real-blog you-tube screens here to click on--something about messing up the format my computer saves the files as. You will just have to click on an ugly link)

http://www.youtube.com/watch?v=JeIHZvZTJTg



*at one point in the car on the way up, after D and I briefly stumbled upon a subject about which I am very touchy right now, I mentioned I wished I had a laptop so I could be blogging, and D said, "Well, you can blog to me" and I replied, "Actually, I want to blog about you."